MUNDO
10 Amazing DC Characters Smallville Completely Wasted
PUBLICADO
4 horas atrásem
Airing from 2001-2010, the young adult superhero drama Smallville approached the classic Superman tale from a whole new angle. The coming-of-age story focuses on the teenage years of Clark Kent (Tom Welling), concerning itself more with Clark than his larger-than-life alter ego. It’s a refreshing and innovative take that requires tweaking many of DC’s classic characters to make them fit the show’s tone.
Smallville‘s reimaginings yield some of the most interesting adaptations of the characters in the Superman mythos; unfortunately, sometimes they miss the mark altogether. Not every hero or villain can be successfully scaled to fit the show’s purposes, and as a result, the show is filled with wasted potential. Sometimes, this is because Smallville misses the heart of what makes these characters work, and some characters are doomed from the start.
10
Amanda Waller Could’ve Complicated Clark’s Life
Her Tenure Was Too Short
First Appearance | Season 9, Episode 11, “Absolute Justice” |
Number of Appearances | 3 |
The architect of the Suicide Squad, Amanda Waller, is one of the most complex anti-heroes in DC Comics. A woman who firmly believes the ends justify the means, Waller is a human bureaucrat who can strike fear into the heart of the most heinous metahuman. Pam Grier portrays the infamous Waller in Season 9 of Smallville. In the show, Amanda runs the metahuman-hunting government agency Checkmate and is set on identifying Clark. She eventually lures him out by kidnapping his friend Chloe (Allison Mack), but her success is short-lived as she’s quickly dispatched by the villainous Zod (Callum Blue).
Waller’s at her most compelling when she is the devil working alongside DC’s heroes, but in Smallville, she only ever gets to be an antagonist. There is loads of potential in pairing the forthright and valiant Clark Kent with the ruthless and calculating Amanda Waller. Had the series kept her around for longer, she could’ve become an unsteady ally for Clark, testing him to live up to his moral code when he was at an age when he was still trying to carve out an identity.
9
Blue Beetle Doesn’t Work While Clark’s Still Young
The Character Is Meant to Represent A Passing of the Torch
First Appearance | Season 10, Episode 18, “Booster” |
Number of Appearances | 1 |
Blue Beetle, Jamie Reyes (Jaren Brandt Bartlett), appears in only one episode of Smallville‘s final season. The story sees Reyes first encounter the alien-powered blue scarab and struggles to control his new superpowers. In DC Comics, Reyes has become the face of a new generation of superheroes. He’s a lovable and spirited underdog who often tests the Golden Age heroes to change their way of thinking.
While Reyes is an incredibly intriguing character in the comics, he simply doesn’t fit the world of Smallville. Much of his appeal comes from contrasting him against the older, more established heroes. But the entire point of this series is that Clark isn’t a hero yet. This simply isn’t the right venue for a character like Reyes. Luckily, DC has managed to find a way to make the character sing in the wildly underappreciated Blue Beetle film.
8
Aquaman Starts Strong, But Never Finds a Place
Arthur Could’ve Been One of Clark’s Oldest Allies
First Appearance | Season 5, Episode 4, “Aqua” |
Number of Appearances | 4 |
When Alan Ritchson made his Smallville debut as Arthur Curry, he was still a largely unknown actor. The series introduces Curry as a rival to Clark, but the two quickly work through their differences to thwart one of Lex Luthor’s (Michael Rosenbaum) evil plans. While Clark and Arthur part ways, Aquaman recurs throughout the series, often associated with the Justice League of America.
Aquaman is frequently a punchline in pop culture because it’s hard to really understand the enormity of his powers outside of Atlantis. Smallville proves to be no exception to that. The series does a fantastic job of establishing the hero, but after that, he is simply a background character when he does appear. Given Ritchson’s talents and the engaging dynamic that is established between Arthur and Clark, the show had the foundation to create one of the all-time best incarnations of the renowned hero, but they let him swim away.
7
Jor-El Is a Confusing Father Figure
The Show Takes Liberties With His Character
First Appearance | Season 2, Episode 22, “Calling” |
Number of Appearances | 23 |
One of Smallville‘s largest departures from the comics comes in the form of Clark’s biological father, Jor-El, played by both Terrence Stamp and Julian Sands. In DC Comics, Jor-El is often portrayed as a noble and tragic figure. He’s a scientist who tried in vain to save his world and used his dying moments to save his son’s life. Smallville has a significantly more villainous interpretation of the Kryptonian. Jor-El interacts with his son mainly as an A.I. that is contained in his escape pod. He is often cold and lacks compassion for humanity.
In theory, Jor-El copies his brain into the A.I. to act as a guide and mentor to Clark, but more often than not, Clark finds himself rebelling against the advice he’s given. Smallville uses Jor-El as a point of contrast to Jonathan Kent (John Schneider), who helps Clark foster his empathy. It’s an ignoble use for a character that has such potential.
6
Jimmy Olsen Feels Out of Place
He’s Crammed Into Clark’s Social Circle
First Appearance | Season 6, Episode 1, “Zod” |
Number of Appearances | 53 |
Jimmy Olsen is an integral part of Superman’s story. In the world of DC Comics, Jimmy is a photographer at the Daily Planet, working alongside Clark and Lois, who serves as an avatar for the audience. A bit bumbling but charming, Jimmy is a huge fan of Superman and a trusted friend to Clark. In Smallville, Jimmy (Aaron Ashmore) is more closely tied to Chloe, serving as her husband and eventually her ex. Jimmy is perpetually suspicious of Clark and regularly questions his character.
Smallville‘s Jimmy nails many of the character’s key personality traits but fails to understand his narrative purpose. In the comics, Jimmy is meant to keep Clark tether to humanity. The problem is that by Season 4 of the show, Clark already has a sidekick in Chloe. His presence feels redundant, and the show likely realizes this as it kills off Jimmy in brutal fashion. Smallville’s series finale reveals that Jimmy has a twin brother who paradoxically also goes by Jimmy and will one day work with Lois and Clark, throwing into question which brother was meant to be the famous DC character in the first place.
5
Supergirl Is an Unwelcome Addition
Kara Is a Constant Source of Conflict
First Appearance | Season 7, Episode 1, “Bizarro” |
Number of Appearances | 23 |
Clark’s cousin Kara Kent (Laura Vandervoot) comes to Smallville late in the series. When the heroine is introduced in Season 7, she quickly earns the ire of fans. Kara monopolizes screen time and lacks serious chemistry with the other characters. Her presence upsets pre-established dynamics, falling into a dread love triangle with Chloe and Jimmy. Generally, she becomes a burden to Clark more than an asset.
As the Berlantiverse show Supergirl proves, Kara can be an absolutely amazing hero. She’s a beloved comic character who can be as inspiring and iconic as her cousin. However, in order to pull off that task, Kara needs to be at the center of her own narrative. Audiences rarely want to watch a character who appears late into a show’s run push the characters they care about to the side, and that’s just what Kara does.
4
Mr. Mxyzptlk Is a Shadow of His Comic Counterpart
He Was Changed Too Severely to Fit Into Smallville
First Appearance | Season 4, Episode 7, “Jinx” |
Number of Appearances | 1 |
In DC Comics, Mr. Mxyzptlk is one of Superman’s most bizarre and beloved villains. An impish trickster from another universe, Mxyzptlk uses his nearly endless power to irritate the earnest Man of Steel. Mikhail Mxyzptlk (Trent Ford) Smallville’s version of this character is a significant downgrade. Mikhail amounts to little more than the villain of the week, using his mind control power primarily to rig high school athletics games.
It’s possible that Mr. Mxyzptlk was too strange and big-time an antagonist to ever truly mesh with Smallville‘s ethos. Still, this interpretation of him removes everything fans love about the character. He’s dour and lacks any of his comic book counterpart’s whimsy. He employs his powers in deeply unimaginative ways. And to top it all off, he mind controls Chloe into kissing him, adding a completely unnecessary ick factor to the character.
3
Zod Never Gets to Flex His Full Might
His Schemes Are Convoluted
First Appearance | Season 5, Episode 22, “Vessel” |
Number of Appearances | 24 |
In DC Comics, Zod is one of Superman’s most formidable foes. A tyrannical Kryptonian general, Zod matches all of Clark’s powers but doesn’t have to abide by the moral code to which Clark holds himself. This creates a scenario where Clark can’t rely on his abilities and must instead use his wits. Smallville interprets the famed comic book villain very differently. Zod enters the series by possessing Lex Luthor, significantly hampering his capabilities. In later seasons, a younger clone of Zod enters the fray, but this version’s powers are significantly watered down.
The primary appeal of Zod as an antagonist is the fact he can match Clark punch for punch. In coming up with ways to avoid that reality, Smallville robs its audience of a potentially stellar storyline. Had a young and inexperienced Clark been confronted with a villain who was quantifiably stronger than him, it would have been a compelling challenge for Kent to conquer.
2
Booster Gold Arrives Late
The Show Barely Scratched His Potential
First Appearance | Season 10, Episode 18, “Booster” |
Number of Appearances | 1 |
Booster Gold is one of DC’s most unique heroes. The endlessly charismatic showboat, Michael Jon Carter, travels to the present from the distant future in an effort to attain glory and fortune. His good deeds are initially theatrical and calculated, but somehow, in the process of pretending to be a hero, Carter actually becomes one. Smallville‘s audiences are introduced to the unusual hero in the show’s final season when Eric Martsolf joins the series. Booster tries to force Clark into the spotlight, to disasterous results.
When it comes to Booster Gold, Smallville‘s biggest sin is timing. Flashy, fame-hungry Booster is the perfect foil for contrite and honorable Clark, especially while he’s on the cusp of finally claiming his superhero identity. So it’s a shame that there are only three episodes left in the show when the character is introduced. The odd couple had a ton of potential to make dynamic television.
1
Doomsday Is a Massive Disappointment
The Series Shied Away From What Makes Him Important
First Appearance | Season 8, Episode 1, “Odyssey” |
Number of Appearances | 22 |
Doomsday is a name that looms large in DC Comics. The prehistoric Kryptonian beast is infamous for killing Superman. While it’s not a surprise that Smallville stopped short of offing their lead, their adaptation of the classic villain underwhelms in more ways than one. In the series, Doomsday was the alter ego of Davis Bloome (Sam Witwer), a generally nice guy whose anger transforms him into the Kryptonian beast. Bloome spent most of Season 8 battling his temper, letting Doomsday out in brief fits. When the villain is unleashed in his pure form, Clark readily buries him alive.
Smallville‘s Doomsday story had a frustratingly small amount of Doomsday in it. In fairness, the character isn’t a particularly complex one. His plans normally amount to little more than landing on a planet and destroying everything in his path. But the simplicity in those stories is crucial. Doomsday is a violent and amoral killing machine, but a strong one. His presence should come with a sense of great urgency, and any battle with him needs to be intense. Smallville spends so long teasing his emergence that it’s audience, and then his rampage is resolved too easily. In the end, the show needed far less Davis and far more Doomsday.
Growing up in the small town of Smallville, Kansas, Clark Kent harbors a secret. Sent to Earth from the planet Krypton as a baby, he possesses superhuman abilities that he must keep hidden. Under the guidance of his adoptive parents, Jonathan and Martha Kent, Clark learns to control his powers and use them for good. As he navigates the challenges of high school, friendships, and first love, he also faces threats from meteor-infected individuals and otherworldly villains. Along the way, Clark encounters familiar characters from the Superman mythos, like Lex Luthor and Lana Lang, while grappling with his true identity and destiny to become the iconic superhero, Superman.
- Release Date
-
October 16, 2001
- Cast
-
Sam Jones III
, Annette O’Toole
, Jensen Ackles
, Eric Johnson
, Erica Durance
, Cassidy Freeman
, Michael Rosenbaum
, Laura Vandervoort
, John Schneider
, Kristin Kreuk
, Sam Witwer
, Aaron Ashmore
, Allison Mack
, John Glover
, Justin Hartley
, Tom Welling
, Callum Blue - Seasons
-
10
- Studio
-
- Characters By
-
Jerry Siegel, Joe Shuster
- Cinematographer
-
Glen Winter, Barry Donlevy
- Creator
-
Alfred Gough, Miles Millar
- Distributor
-
Warner Bros. Domestic Television Distribution
- Filming Locations
-
Vancouver British Columbia Canada
- Production Company
-
Tollin/Robbins Productions, Warner Bros. Television, Millar Gough Ink, DC Comics
- Sfx Supervisor
-
Michael Walls
- Number of Episodes
-
217
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Na investigação de a morte de um estudante do ensino médio ocorrida durante uma briga no 13ºe distrito de Paris em 17 de dezembro, um segundo menor foi indiciado no domingo, 22 de dezembro, por homicídio e depois preso, soube neste domingo a agência France-Presse (AFP) junto a uma fonte judicial, confirmando informações de parisiense. Um adolescente de 16 anos já havia sido indiciado na quinta-feira neste caso depois de ser preso no local.
Outros cinco adolescentes, todos nascidos em 2008 ou 2009, foram indiciados no domingo por participarem num grupo com o objetivo de cometer violência contra pessoas, e colocados sob supervisão judicial, acrescentou a mesma fonte à AFP.
Rivalidade entre dois distritos do sul de Paris
Na manhã de terça-feira, antes do início das aulas, eclodiu uma briga perto do colégio Rodin, decorrente de uma rivalidade entre o distrito de Glacière e o do Almirante-Mouchez. Um adolescente de 16 anos, frequentador de uma escola secundária profissional em Alfortville (Val-de-Marne), em paragem cardiorrespiratória, foi atendido pelos serviços de urgência; ele morreu no hospital. Ele teve ferimentos na cabeça e uma faca foi descoberta ao lado dele, disse a promotoria de Paris.
Ele já havia sido ferido por uma facada no dia 10 de dezembro próximo ao colégio René-Cassin (16e distrito), factos que são objecto de investigação, informou o Ministério Público. Segundo a mesma fonte judicial da AFP, a morte deste adolescente “faz parte da continuidade de um fenômeno de brigas recorrentes entre jovens do setor 13e distrito, onde foram observados oito confrontos desde maio de 2024”.
O mundo com AFP
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MUNDO
Qual foi o melhor livro, filme ou série em 2024? – 23/12/2024 – Painel do Leitor
PUBLICADO
17 minutos atrásem
23 de dezembro de 2024Neste ano, as produções brasileiras estiveram em evidência. O sucesso de Walter Salles com “Ainda Estou Aqui”, filme brasileiro com a maior bilheteria do pós-pandemia, e os números surpreendentes de “Senna”, série de língua não inglesa da Netflix mais vista no mundo, são exemplos disso.
Para muitos, essas produções estão entre as favoritas do ano. Para os aficionados da música, foi “The Box Medley Funk 2”, colaboração entre The Box, MC Brinquedo, MC Cebezinho, MC Tuto, MC Laranjinha e DJ Oreia, a música mais ouvida no Brasil em 2024.
Para os amantes dos livros não faltaram boas leituras, como “Sempre Paris”, edição das crônicas da jornalista e tradutora Rosa Freire d’Aguiar, vencedor do Jabuti como livro do ano, e “Salvar o Fogo”, segundo romance de Itamar Vieira Junior, eleito o melhor romance literário na premiação.
Esses lançamentos ocuparam as primeiras posições, mas ainda há espaço para filmes, séries, livros e músicas antigas em cada ranking pessoal. Gosto não se discute, mas pode ser comentado.
Por isso, a Folha quer saber: qual foi o livro que leu, o filme ou série que assistiu e/ou a música que ouviu que mais gostou em 2024, leitor? Por quê? Conte neste formulário.
Algumas respostas poderão ser publicadas no Painel do Leitor deste domingo (X) e nas redes sociais do jornal.
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MUNDO
‘Absurdo paternalista perfeito’: por que Pai da Noiva é meu filme alegre | Steve Martin
PUBLICADO
20 minutos atrásem
23 de dezembro de 2024 Laura Snapes
EU deveria odiar esse filme. Um pai possessivo perde o controle ao saber que sua filha de 22 anos – uma sofisticada estudante de arquitetura que acabou de voltar de um semestre em Roma – está noiva de um homem que ele não conhece. Depois que ela conta a novidade para ele no jantar, nós a vemos contando isso pela segunda vez através dos olhos dele, aos sete anos de idade. Quando o noivo chega, o pai quase tem um aneurisma por ter ousado colocar a mão na perna dela, e começa a assistir America’s Most Wanted todas as noites procurando seu rosto. Ele fica tão louco com a perspectiva do casamento que o perde no supermercado e acaba brevemente na prisão. “Eu não era mais o homem na vida da minha filha”, lamenta. É um absurdo paternalista e é perfeito.
Assisti pela primeira vez ao remake de Pai da Noiva (FOTB) de 1991 quando era criança porque é o filme favorito do meu pai. Como sua única filha, me recuso categoricamente a ler isso, embora tenha gostado de contar ao meu namorado quando o fiz suportar minha recente nova observação. (Aproximadamente minha 975ª exibição; a primeira e, suspeito, única.) É o filme que me fez apaixonar por Steve Martin, nosso paranóico FOTB George Banks, e Diane Keatonotimista MOTB Nina, a quem passei a considerar meus pais cinematográficos, um conforto sempre que os vejo na tela.
Indiscutivelmente, não é nenhum dos seus melhores trabalhos, chegando ao final dos respectivos períodos imperiais de Hollywood. (Qualquer um que argumente que Keaton foi nos anos 70 evidentemente não viu Baby Boom de 1987, outra de minhas travessuras regressivas favoritas.) Keaton está um pouco subutilizada no papel de contraponto sensato de George – embora, como é seu direito divino, ela ainda consiga presidir uma magnífica cozinhapois este é um filme co-escrito por Nancy Meyers e dirigido por seu então marido Charles Shyer – e Martin é o ne plus ultra de mastigar vespas e esbugalhar os olhos, dando o tom para uma farsa exemplar.
Um dos meus tropos favoritos na tela é qualquer personagem declarando: “São os anos 90 – acostume-se!” Eu leria um livro inteiro sobre a história da linhagem: quem disse isso primeiro? O que eles significam?? Aqui, pelo menos, significa boa sorte face ao capitalismo desenfreado. O organizador de casamentos rococó Franck Eggelhoffer, interpretado por Martin Short, com um sotaque de, digamos, indeterminado extração do Leste Europeu, balbucia “walkom to ze 90s, Moster Bonks!” quando George estremece ao custo de “de kaak” (o bolo).
Certamente, George arrasa com alguns looks normcore exemplares dos anos 90 neste filme, incluindo os tênis fabricados por sua empresa, e seu jovem filho Matty (um adorável Kieran Culkin) tem um desenho dos Simpsons na porta de seu quarto. Mas em termos de noiva, FOTB é puro babado pós-Diana dos anos 80: vestidos de merengue, um cantor de casamento jazzístico interpretado por Eugene Levy, cisnes tingidos de rosa para combinar com as tulipas, obviamente. Definido para acontecer na extensa casa da família dos Banks em um bairro muito normando de Rockwell, Califórnia, é, como declara Franck, fabolos.
Uma leitura simpática poderia ver o surto de George em relação ao casamento como uma resposta justificada ao absurdo do complexo industrial de casamentos, mas onde estaria a diversão nisso? Além disso, à medida que a sanidade de George desmorona, o filme deixa bem claro que ele é o irracional aqui por não querer gastar US $ 250 por cabeça com convidados. Ele espiona os sogros e cai na piscina deles. Na tentativa de economizar, ele compra um terno preto “Armani” que pode ou não ter caído da traseira de um caminhão. Franck tenta ajudá-lo a costurar um botão na manhã do casamento, mas está com a linha da cor errada e informa que Armani não faz “smoking azul marinho”, nem usa poliéster.
E quanto a Brian, o noivo? Ele é um Novo Homem alfabetizado em política de gênero que apoia a carreira de sua noiva e quase sempre chora. Ele não é, FOTB deixa claro, a história de amor que importa aqui.
Por que volto a este filme repetidas vezes? Quando menina e mulher mais jovem, eu era enfaticamente contra o casamento (embora desde então tenha suavizado) e assistia-o mais como uma comédia de terror do que qualquer coisa aspiracional. O único aspecto da vida dos Banks que eu gostaria é a cozinha. E ainda assim, assistir Franck e sua família fazendo seu show ridículo me dá vontade de fazer parte disso. Eu amo rituais e cerimônias, e Steve Martine Martin Short e Diane Keaton.
Estou tão cheio de FOTB que quando Vampire Weekend começou a provocar algo chamado FOTB há alguns anos, eu twitei uma piada dizendo que esperava que fosse um álbum conceitual sobre o filme. O publicitário me enviou um e-mail perguntando como eu sabia que o álbum realmente se chamava Pai da Noiva e por que eu havia vazado informações embargadas. Eu não tinha; a sigla está gravada bem no fundo da minha alma. Agora, aposto que você vai nunca adivinhe o que acontece no FOTB2… 👶👶
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